Personal Feelings: I struggled with the idea of drawing a realistic portrayal of myself. I chose to create a facial expression that best described this apprehension. This facial expression became the subject matter of the extreme close-up self-portrait. This allowed me to move beyond the apprehensions. It was like my own personal joke or secret. If I had started with this self-portrait at the first of my research, I think too much time would have been wasted on "personal" issues and less on the art of making the portrait. This is key for classroom implications as well. Key Code: cloudy; cloudy; :-)
Classroom Implications: I would use this approach as a capstone to a long, involved Unit for learning. Self-portraiture should be developed over a lengthy period of time, to develop skills and confidence in students (Carroll, 2007). For a lasting effect on self-identity, one lesson, even two lessons on self-portraiture are not going to yield sustained results. In order to experience actualized, real identity changes, many factors must be challenged, increased, and developed. Students must learn how to develop a visual narrative, increase in skill sets, discover inner courage to share with others, and develop other ideas about self that is not measured against or influenced by peers, possibly family, or even environmental factors. This new knowledge has to come from within and extend outwardly. Art, self-portraiture, active investigation into self, increased, informed personal awareness are essential elements that can effectuate a positive self identity.
Grid:
Grid in Process with Initial Cartoon Drawing:
Final Drawing with Grid:
Final Composition:
No comments:
Post a Comment